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A New Era’ Made Me Cry So Much


This is a preview of the pop culture newsletter The Daily Beast’s Obsessed, written by senior entertainment reporter Kevin Fallon. To get the full newsletter in your inbox every week, Sign up for it here.

I’m not a big fan of how much I cried while watching the new movie Downton Abbey movie, Downton Abbey: A New Era.

That’s not what I like about myself. Unlike I’ve heard myself, about 30 minutes before the credits start, honk the horn somehow, like a bleeding goat, and think, “This is the type of person I want to be. become.” I don’t think I’m always the type to cry right after someone’s last act Downton Abbey movie. Guess someone else is also in his new era.

When Downton Abbey, Drammapremiered and became extremely popular international feelingFingers gliding across the keyboard trying to think of possible pieces explain the sudden attraction soap operas of this period.

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Twelve years later, on the occasion of the second feature-length film hitting theaters (the first one grossed almost $200 million), its continued popularity has been a little less confusing, of course, among fans. TV series will be interested in a TV series. watch it back on the screen years later. But the question remains: Why did I find it? so exciting? Why am I crying? that a lot of?

There’s an undeniably nostalgic element to Downton Abbey: A New Era that just feels good, an antidote to the poison of “being alive in 2022” that you can actually feel warm and refreshed as it travels through your veins. One could say the film uses this like a crutch, one that relies heavily on its own risk.

It’s true that the first 25 minutes of the film are just one long shot that follows a tour through the mansion and stops at mini-hells for a drive with a cast of around 400 characters. Oh, Mrs. Patmore! Isobel, I forgot how much I like you! Seeing Anna and Mr. Bates, my heart overflows! Really, this could be the whole movie and I’m going to have a great time.

The joy of something like Downton Abbey is how simple it is. Both with the series and the movie, you’ll watch and realize a part through, wait, that’s the plot? Like, it is basic. “We’re having dinner.” “Someone’s coming to Downton.” “Sybill wears pants.” Then, of course, they’ll overwhelm you with something as gruesome as the sudden death of the main character, and since you’ve been mesmerized by the fun, you’re more devastated by that. there.

The nice thing about such a simple pleasure is that it doesn’t really require too much investment. Yes, there are dozens of characters, each with their own little backstory that has unfolded over the decade. But you do not really must remember them. She cooks skillfully, lovely Daisy seems to be married. I don’t remember anything about that, but it doesn’t matter. She snuggled into a guy, I shrugged and thought, “Oh, she’s married” and continued. It is satisfaction with low investment.

If I’m being honest, I’ve forgotten that in fact the main family surname isn’t Downton. The first time “the Crawley family” was mentioned, I thought to myself, “Who is that?” Did I feel stupid after? Sure. Does it have any problem? No! Its Downtonwhere everything is super important but nothing at all.

Written by Julian Felloweswho created and wrote the main series, television series — a word that has never been used more loosely when it comes to Downton Abbey—The fact that the Dowager Countess had been left in a villa in France by a man she had not seen for many decades. She decides that she will leave the mansion in her own right to her niece, Sybill, whose father, Tom Branson (Allen Leech), and she eventually get along.

There is only one problem that needs to be solved is who in this world is this man who left a mansion for his grandmother and why. So some irrational family members and staff go to the South of France to find out. One Downton movie boat trip overland!

Well, the compelling tension story at the heart of a two-hour movie is, “What are we supposed to do with this unexpected resort establishment?” I was infatuated.

Well, the compelling tension story at the heart of a two-hour movie is, “What are we supposed to do with this unexpected resort establishment?” I was infatuated.

The plot B of the movie (if one were to devise different plots with the character constellation in letters, we would repeat the alphabet twice) basically Downton steal the plot of Singin’ in the Rain.

A studio wanted to shoot its next silent film at home, and although many reacted with horror to something so radical and tasteless among the superstitious generation (“A moving photograph? At Downton”) !?”), Lady Mary (Michelle Dockery) made the decision to accept because the large fee involved would allow for repairs to the roof and secure a solid future for the site. Being raped by the film crew would be a small price to pay — and, besides, at least her beloved father, Hugh Bonneville’s Lord Grantham, would be in France, not blowing a pad on himself. those around.

But the “mayhem” quickly ensued — on both sides of the Channel!

In France, the Crawleys began to incorporate what maybe is a shocking family secret involving their lovely grandmother. But don’t worry: It’s dealt with gently. You will smile warmly and whisper, “Aww…”

And at Downton Studios, things get messy when it’s reported that no one wants silent movies anymore – it’s all about talkers! – so production might have to be shut down, especially since the lead woman has a hard, hard-to-hear voice that’s basically unplayable. But here, too, everything is worked out in such a silly Downton way that you can’t help but smile. Lady Mary herself, triumphed over the film’s director’s charms (Hugh Dancy), steps in to provide the voice of the doomed actress, who mimics the dialogue.

What about all that is crying?

You don’t have to be the world’s most elite movie buff to venture to see which character might, after all these years of teasing a particular event in the show and in the previous film, take center stage. of emotional climax. Even if we decide to be the biggest headliner in the world and directly say what’s going to happen, some people might not consider it a hoax because it’s obvious and it’s a long time coming. arrive.

It is a matter of long history. Decades of investment in these characters and their relationships make it earn tears. It’s a beautiful chain.

But that’s not what’s surprising about the film. That’s how many peaks to balance such deep sadness. There are beautiful moments of victory for the characters we’ve long nurtured. Thomas Barrow (Robert James-Collier), you have to smile! Joseph Molesley (Kevin Doyle), you have to smile! And the keeper of my heart, Mrs. Patmore (Lesley Nicol), so is she, and I am still hovering over it.

Obviously there is nostalgia. There’s an appeal to watching something that doesn’t challenge you, it just feels fun. Sure, this one Downton Abbey less sequel New era compared to the same one that we always know. But given the uncertainty and discomfort of the chaos of our present age, it is a welcome relief — a joy, indeed — that it is.



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