Andor’s Jailbreak finds more power in Star Wars than Jedi
Tenth volume of Andor to be best episode of the Best Star Wars show. One of the show’s more action-packed episodes, it bounces back small moments of setup from previous episodes and is chock full of drama.
The episode, the culmination of a three-episode arc on Narkina 5, is representative of one of the driving factors that make Andor like a compelling story about Star Wars: By breaking free from the bonds of the Force and the Jedi Order, there’s more room to maneuver and more stories to tell.
[Ed. note: Spoilers follow for episode 10 of Andor.]
No Darth Vader on Narkina 5, and no Sith Lords. But that doesn’t make the prison there is less scary – if so, the lack of magical Star Wars-related stuff helps make the prison feel more real and scary.
Ever since we were introduced to Narkina 5, I’ve been excited about the final escape. First of all, the events of Rogue One tell us Cassian and Melshi will make it out together. But more importantly, Tony Gilroy wouldn’t have introduced us to a space prison without a great escape scene.
The scene completely delivers, not only through intense excitement and sheer adrenaline, but also with a sense of tension, as Cassian, Melshi, and their cellmates use their oppressive tools to free themselves. exit. Of course, they manipulate the electrified tungsten floor, allowing them to roam freely. And most importantly, the weapons they used in the fight for freedom were the tools they used to craft in the prison – wrenches, pipes, and even their own bodies. As the guards shout “show” to the inmates for the last, fated last time, director Toby Haynes shows us how many inmates are hiding these tools behind their backs while raising their hands behind their heads. .
Crucially, none of the prisoners were Jedi or possessed any other supernatural abilities that would separate them from the rest. It was a team effort because it had to be, and the prisoners on Narkina 5 had to use every tool at their disposal – including those they might not have previously considered allies. As they take control of the tools they are using, they also regain control of their own bodies and their relationships with each other. Andor production design Luke Hull to Polygon The Empire considered prisoners simply “disposable parts of machines.” In their climactic escape, they are reclaiming their humanity as well as their freedom.
Andy Serkis’ character Kino Loy is the key here, especially in terms of how Andor think about oppression and rebellion. Over the course of these three episodes, he goes from abetting the Empire’s agenda for his own good to becoming a stubborn resister of events to ultimately the leader of the imperial rebellion. prison. As Cassian tries to convince Kino of the terrible truth about their situation, Andor reminiscent of the mastery of John Carpenter They live, when Roddy Piper tries to convince Keith David of the terrible truth in that story. Like Keith David’s character in that movie, Kino is adamant and violently opposed to the truth because of how terrible it is, before finally and wholeheartedly embracing it. There’s only one way out.
When Cassian and Kino Loy reached the prison’s control room, it was their turn to give orders to the guards. Kino, who was previously responsible for keeping the prisoners on his floor productive and in line, was now tasked with giving a different kind of command: Free yourself. It’s something he struggles with, and Serkis’ remarkable performance reaches another level in this moment when he seems physically incapable of uttering the words he needs. It was only after Cassian encouraged Kino and told him how essential he was that words could come out. In AndorThere is no single hero – everyone has to do their part.
This leads to one of the more catalytic moments in an extremely catalytic period. The two guards remained in the control room, worried about what would happen next. Cassian barks “About the PROGRAM!” upon them, when they were startled by fear. Diego Luna enjoyed the turn of events, throwing his whole body at the command, and the guards quickly obeyed. Soon, we saw another group of guards quietly cowering in fear behind the door as the excited prisoners ran to their freedom.
Using the Empire against itself is a theme throughout the show – in Andor’s excellent robbery arc, capers dressed as shepherds to blend in, taking advantage of the Empire’s little thought of ordinary people to carry out Aldhani’s daring quest. And that’s the whole point of Luther’s deal on the show, purporting to get the Empire overreacting to incite an organized rebellion (and in this episode, Luther is even able to deliver a unique piece of the puzzle). strange dialogue during a terrifying encounter in the dark on a bridge, dressed as a Sith Lord in flowing black robes).
In Narkina 5, the number of prisoners outnumbered the guards. That’s what Cassian suspected from the start, and we learn it for sure in the explosive ending from Kino in episode 9. But in episode 10, we finally see it in action. The few can dominate the many only when the many are too afraid or too disorganized to fight. In Andor, that is, to use any tools and any means necessary to survive. Especially the stuff used to keep you down.
Now imagine a version of this runaway where the protagonist is a Jedi. How would that prison break feel to have no standing and no weight? How can a rebellion succeed if it depends so much on the abilities of a select few? Instead of, Andor shows us a simple truth: There is only one way out, and that is together.