Entertainment

Character Design for ‘Vivo,’ ‘Boss Baby 2,’ ‘Poupelle of Chimney Town’ – The Hollywood Reporter

The filmmakers describe the looks of their favorite characters, including Gabi from Vivo, Dr. Armstrong in Boss Baby: Housework and Poupelle from The town of Poupelle of Chimney.

(Vivo, Sony Pictures Animation / Netflix)

Noting that Vivo’s musical story, a kinkajou voiced by Lin-Manuel Miranda, talks about overcoming past pain, director and co-writer Kirk DiMicco noted that “there are times when we have to learn. sing a new song” and that sparks the introduction of 9-year-old Gabi (voiced by Ynairaly Simo) who goes on a journey with Vivo. “We envisioned Gabi as a character whose design and ethos were completely opposite of Vivo and the world he was in. Where Vivo is the epitome of control, Gabi represents chaos,” he explains. “Our writer Quiara Hudes, who created the character, wanted her to be drawn as a real girl with body diversity. It was important to us to present a strong independent female character whose personality is reflected in every design choice. We like the idea that she cut her hair asymmetrically because she probably cut her own hair in the mirror and could have dyed her own hair purple with her own chalk in the bathroom. And Gabi, who isn’t a cookie-cutter heroine because she’s a bit more curvaceous than most cartoon kids, has always been completely 100% at ease in her own skin. In fact, it was the inspiration for the song decided not to princess that Lin wrote for her in ‘My Own Drum.’ Gabi is not a girl who longs for the world to accept her, because she accepts herself. “

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Vivo
With permission of SPAI

(The Boss Baby: Family Business, DreamWorks Animation / Universal)
The villain belongs to DWA Boss Baby The sequel is Dr. Erwin Armstrong voiced by Jeff Goldblum, who is considered the smartest baby in the world. “We wanted to capture his quirky charm even as he played the villain in our Boss Baby,” said director Tom McGrath. “Armstrong has a big and expressive mouth because he is a talkative and a big candy eater, so his body is a bit like his ‘Rubenesque’. Armstrong disguised himself as an adult to hide his little secret. His professor character wears wigs, eyebrows, dentures, and lamb chops to help him fool all the parents.” The biggest challenge of this camouflage, which involved production designer Raymond Zibach, was the robotic body he rode around. “These mechanisms are inspired by destroyer while his silhouette is reminiscent of characters like Tweedle Dee and Tweedle Dum,” he said. “The tubby body creates a nice cockpit for a baby to sit in and use the controls while the skinny legs give him the height and maneuverability we needed for the animation. To complete his design, we dressed him in a tailed tux for the climax and final big brawl. ”

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Boss Baby: Housework
Courtesy of Dreamworks Animation

(The town of Poupelle of Chimney, STUDIO4ºC / Eleven Arts)

In this cartoon, a boy lives amid the thick smoke from the chimneys of his isolated town, longing to see the stars. One Halloween night, he met Poupelle, a man made of trash, and their adventure begins. “In the story, trash represents the dreams that people have thrown away. The sky above Chimney Town is completely obscured by the smoke generated from the town’s garbage burning,” director Yusuke Hirota explained, through an interpreter. “For those who have given up on their dreams, Poupelle, a man born of trash and made of trash, is an unwelcome and unpleasant presence – something that the people of Chimney Town simply do not want to see. But dreams – pure, innocent, unpredictable – can sometimes make us brave, and our Poupelle also symbolizes this power of dreams. Made from things that smell old and evoke nostalgia, we designed Poupelle to be familiar.”

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The town of Poupelle of Chimney
Courtesy of Studio 4°C

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