Dolce & Gabbana’s Alta Sartoria collection celebrates a Mediterranean legend

There are two theories about the etymology of the name Marzamemi, a fishing village at the southern tip of Sicily often described as the “pearl of the Mediterranean”, because its streets and historic buildings are mostly painted preserved intact. The first is the name derived from a combination of Arabic words marsa (port or bay) and memi (small). The second theory holds that the origin is marsa al-ḥamāma, which means bay of ships. Whichever interpretation is correct, both reflect how the central Arab culture has been in the history of the place and it is an example of how the Mediterranean is a place of cross-cultural cross-breeding and interbreeding. many centuries.

The latest program for Dolce Gabbana companyThe Alta Sartoria Fall/Winter collection, which took place in Marzamemi last week, starts with this fact. It is inspired by an ancient legend, that of the Calafarina cave, where an Arab princess hid during the Norman siege of the island in 1061. She brought with her incredible treasures with her. themselves — and the new D&G collection embodies the most extreme fantasies of designers with nothing left behind.


The collection was introduced in the 17th century tonnaraor tuna fishing, filled with references to Sicilian folklore—traditional carts, ancient songs and dances, and large dancing puppets seen at local festivals.

On the catwalk, gold and stone armor adorned the models’ bodies with an almost graphic effect, while helmets and jewel-encrusted masks looked like Arabian cybernetic illusions. Super-wide pleated palazzo pants, handcrafted from lightweight semi-transparent chiffon, teamed with pointed-toe flip-flops. In contrast, ripped jeans and skirts are embellished with shiny details.

After the performance, Stefano Gabbana said, “We didn’t choose the legend of the princess by accident. We took all the jewels from that story and put them on the clothes. There are many corsets mixed with ideas of military clothing, made of armor, which have been lost in the mists of time. In Sicily, we talk more about Saracen aesthetics than Arab influences. Our collection is very Saracen. “(The Saracens were the Muslim people who ruled Sicily from 831 to 1091).

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