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Elvis, Netflix’s Day Shift, and every other new movie to watch at home

This week, the new movies available to watch at home led by a major theatrical release have finally come to home video, and a fun Netflix movie that’s a bit of a letdown.

First, we have to talk about Elvis. Baz Luhrmann’s maximalist approach is a perfect vehicle for the story of one of US pop culture’s most legendary figures, and it’s finally available to watch at home if You, like me, can’t go to the theater.

Another highlight is by Netflix Day shift, a vampire-hunting action-comedy-horror film by first-time director and legendary stuntman JJ Perry, starring Jamie Foxx, Dave Franco, and Snoop Dogg. It was a blast, and a throwback to a bygone era of action filmmaking.

In addition to those two films, there is also a pair of children’s films, a documentary about Princess Diana, by David Cronenberg Crime of the future and Alex Garland’s Man with reduced rents and more.

Get in there!


Elvis

See where: Available to rent or buy for $19.99 on Amazon, Apple, Vudu

Elvis sings into the microphone as fans reach out to him

Image: Warner Bros.

Baz Luhrmann’s King of Rock ‘n’ Roll biopic starring Austin Butler (Once upon a time in Hollywood) as the legendary musician and Tom Hanks as his promoter, Colonel Tom Parker. Are from our review:

It turns out that the important casting choice is not the actor, but the director. Baz Luhrmann is exactly what an Elvis bio needs: He has no restraints, no shame, and no sense of self. He’s the only filmmaker who can speak to the Elvis Presley legend with the intense simultaneity and emotional sincerity it deserves.

While you’re in the mood, why not check out our list of great biographies of musiciansor the best movies from Elvis’s acting career?

Day shift

See where: Available to stream on Netflix

Jamie Foxx in Netflix's Day Shift

Image: Netflix

This new action-horror-comedy is the directorial debut of longtime stuntman and action coordinator JJ Perry. In many ways, it’s a throwback to best friend action movies from 30 years ago, but with modern choreography. Jamie Foxx plays a vampire hunter in dire need of money, teaming up with a Vampire Hunters’ Union agent (Dave Franco) and an old friend (Snoop Dogg) to try and win some big points.

Are from our review:

Refreshingly low stakes and an easy way to mix the mundane and the supernatural here are just two of the ways Day shift will remind savvy viewers of many ’80s and ’90s video store staples that the film is clearly a love letter. Lost boys, Dead heatand Night fear all receive their distinct homage, among other films. Some of these references are presented in subtle ways only for the most dedicated cinema enthusiasts. Others were roaring, affectionate shouts.

Secret headquarters

See where: Available to stream on Paramount Plus

Owen Wilson in his Secret Headquarters super armor, which looks pretty much like the gray Iron Man armor, with more segments

Photo: Hopper Stone / Paramount Pictures

Owen Wilson is an Iron Man and Green Lantern hybrid in this kid-centric superhero film, from Cat fish and Nerve Directed by Ariel Schulman and Henry Joost.

Are from our review:

When Secret headquarters Enjoy children’s fun with super powerful gadgets, it shines. In narrowing its focus to the conflict between Charlie and his father, and the pain a masked vigilante endures to family life, the film stands out from other entries in the subsection.” children discover superpowers and/or gadgets”. It might have been a little less focused on serious adult issues, but as Joost and Schulman narrow the plot down to smaller stakes and more silly antics, Secret headquarters Prove yourself is a fun, heartwarming game.

Crime of the future

See where: Available to rent for $5.99 on Apple, Amazon, Google

Kristen Stewart and Viggo Mortensen have a moment by the lighted window in Crimes of the Future

Image: NEON

David Cronenberg’s latest physical thriller stars Viggo Mortensen, Léa Seydoux and Kristen Stewart. There’s no better time to visit again Cronenberg’s history with the genre he has long championed.

Are from our review:

There are uncomfortable moments, horrifying moments, and even some macabre moments in his relatively recent films, like Map to the stars and Cosmopolis (even with Stewart’s Sunset co-star Robert Pattinson; Taylor Lautner must be doing somersaults as he waits for the phone.) But Crime is Cronenberg’s first full-fledged sci-fi/horror film since 1999’s hilarious gaming odyssy. eXistenZ. His return to genre territory is both more extreme and less extreme. eXistenZ is a more user-friendly ride for the hardcore, but despite Crime‘clear surgical moments, it’s a more contemplative movie, sometimes a movie break. You could even call it a mood piece.

Man

See where: Available to rent for $5.99 on Amazon, Apple, Vudu

Rory Kinnear chats with Jessie Buckley in the men's pub

Photo: Kevin Baker / A24

Alex Garland (Ex Machina, Destruction) returns to this thriller about a young woman (Jessie Buckley) who flees to the countryside after a traumatic experience with her husband, only to encounter a group of very strange men (Rory Kinnear). have the same face.

Are from our review:

Meaning and purpose aside, Man is a sentimentalist’s dream. Garland and cinematographer Rob Hardy (who also shot Ex Machina and Destruction) gives the movie an amazingly sharp image, with vibrant colors and incredible visuals. Simple shots of a moss-covered tree or raindrops rolling in a puddle are almost overwhelmingly beautiful. The music by Ben Salisbury and Portishead’s Geoff Barrow – who also collaborated on two of Garland’s previous films – blends ambient noise and music with Buckley’s vocals, sometimes to hauntingly beautiful effects, like as she explores the echoes of the tunnel by harmonizing with her own voice. Then a scream of pent-up emotional pain shifts so completely into the soundtrack that it may be more of what Harper is thinking than what she is actually doing.

Happy birthday

See where: Available to stream on Netflix

Two sleepy old women holding guns in Happy Birthday

Image: Netflix

This surreal Telugu-speaking crime comedy takes place in a fictional country where laws are passed regulating gun ownership. The film follows a group of people at a luxury hotel who require customers to have guns, and a series of events ensue.

Codename: Emperor

See where: Available to stream on Netflix

Three people standing around a computer in Code Name: Emperor.

Image: Netflix

This Spanish action thriller follows an ethical dilemma for a secret agent when he is asked to frame an innocent politician.

Heartsong

See where: Available to stream on Netflix

Singer in Heartsong

Image: Netflix

Heartsong is a Turkish romantic musical film, about a nomadic Dom folk musician who falls in love with a bride at a wedding he is hired to perform. The film has many Dom folk songs.

Bank Robbers: The Last Great Heist

See where: Available to stream on Netflix

Fernando Araujo points to the blueprint in Bank Robbers: The Last Great Heist.

Image: Netflix

Argentina’s most famous bank robbery is investigated in this true crime documentary, when five masked robbers took 23 people hostage and robbed a bank in broad daylight in 2006.

Commercial Pakka

See where: Available to stream on Netflix

A man wears sunglasses and throws his jacket over his shoulder in Pakka Commercial.

Image: Netflix

Another Telugu comedy on Netflix this week, this is a courtroom action comedy about a lawyer taking on a controversial client. His relationship with clients puts him in conflict with his former judge father.

Staying on the Train: The Story of Leo Baker

See where: Available to stream on Netflix

Leo Bakers sharpen their skates on a bench in Stay on Board: The Leo Baker Story.

Image: Netflix

This documentary tells the story of breakthrough skater Leo Baker, who won a gold medal at the 2014 Summer X Olympics and is also one of the most prominent transgender athletes in the sport. sports.

13: Musical

See where: Available to stream on Netflix

Ramon Reed as Eddie, Frankie McNellis as Lucy, Eli Golden as Evan, Shechinah Mpumlwana as Cassie, Gabriella Uhl as Patrice, Khiyla Aynne as Charlotte, Luke Islam as Carlos in 13 The Musical

Photo: Alan Markfield / Netflix

The film adaptation of the 2007 musical by Jason Robert Brown, Robert Horn and Dan Elish is about a boy who moves from New York to Indiana and wants a mitzvah bar to be remembered in his new environment.

Princess

See where: Available to stream on HBO Max

Diana, Princess of Wales, wears bright red

Image: HBO

Not to be confused with the recently released Hulu action movie of the same name, this Princess is a documentary about Princess Diana by Oscar-nominated documentary Ed Perkins (Black sheep).

I love my dad

See where: Available to rent for $6.99 on Apple, Vudu

James Morosini and Patton Oswalt in I Love My Dad

Image: Magnolia Pictures

An irreverent comedy based on a true story, Patton Oswalt plays a father who tries to connect with his estranged son by posing as a woman online. That’s right, he tries to fish for his son (played by writer/director James Morosini, whose real-life experience the story is based on).

Wifelike

See where: Available to rent for $5.99 on Apple, Amazon, Vudu

Elena Kampouris and Jonathan Rhys Meyers in WifeLike.

Image: Paramount Pictures

An R-rated sci-fi thriller, Wifelike follows a detective (Jonathan Rhys Meyers) who recently lost his wife, and has been assigned an AI companion (Elena Kampouris) designed to act like her. As a result, he’s drawn into a conflict with a resistance group trying to end the practice, when the AI ​​companion begins to recall memories that aren’t exactly hers.

Are from Our rating:

Instead of developing an unbalanced, uncomfortable relationship between these two particular characters, Wifelike unearthed some barely hidden subtext and proudly put it out in writing: Men subdue women, and if their efforts to do so are thwarted, they will invent women new female to subdue some others. There are moments where the film seems poised to rekindle grief and loneliness as general justifications for male misconduct, but Bird steers clear of it by not including any Which protagonist is really grieving? It’s just another interesting idea that the movie rises and falls.

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