Entertainment

Film, TV Worker Fatigue Reaches “Life Threatening Levels,” Says Global Federations – The Hollywood Reporter

Global unions and associations have called on the film and television production industry worldwide to end the “long-hour culture” that has only worsened during the current filming pandemic.

In a report titled “Dealing for dignity behind the scenes” released Tuesday, UNI Global Union, which represents 20 million film, television and art workers worldwide, has calls for production wages and working hours to respect collective agreements, “or if they do not have standard national legislation.”

The organization, which includes 140 unions and associations in more than 70 countries, including the International Coalition of Theater Workers in North America, calls for overtime on film and television sets to be self-imposed. Voluntary, “is not required on a regular basis and must always be compensated at a premium rate. ”

The report and its recommendations follow a survey of UNI Global Alliance members showing that 60 hours per week is normal in the film and television industry worldwide, resulting in too many hours and lack of adequate rest and “life-threatening levels of fatigue”.

The global union UNI added that “abuse cases will increase significantly in 2021 as companies try to make up for lost time during the pandemic disruption”. Recommended minimum standards for film and television workers worldwide include adequate daily and weekly breaks, meal breaks, wellness “and opportunities to connect with family.” family and friends” was rejected by the weekend job.

A call to action from UNI affiliated unions after IATSE votes to pass a new 3-year Basic Agreement with studios and streaming services amid the labor movement being fueled in the country. Hollywood and concerns over key issues like pensions and health plans, livability pay and time off between members.

“What is happening in Hollywood is setting a pattern for working conditions globally,” wrote UNI unions. The report indicates that some international countries such as Germany and Sweden have secured improved working hours for film and television employees through labor negotiations, while other markets, such as Latin America and other parts of Europe, remain difficult points in labor relations.

In France, for example, the requirement for film and television crew members to work overtime and on weekends is increasing.

The UNI Global Union report states: “This becomes a problem for all workers when the provisions of the collective bargaining agreement are not followed and when manufacturers require teams to work within the maximum number of hours allowed more often than the standard business day.

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