‘Ghostbusters: Afterlife’ review: Director Jason Reitman calls back to the original while adding a little teen twist

Happily, the children are very talented Mckenna Grace (“Gifted”, “The Handmaid’s Tale”) and “Strange Things” Finn Wolfhard, grandson of Egon Spengler (originally by The late Harold Ramis). Egon has died, leaving a remote farmhouse to his estranged daughter (Carrie Coon), who for financial reasons has found a timely move.

Moving to this place, Phoebe (Grace) and Trevor (Wolfhard) discover a lot of strange things happening around the town – starting with all the earthquakes of unknown cause – and some convenient artifacts. advantage among the grandfather owned. Phoebe possesses a scientific acumen far beyond her years, while her brother has mostly just fallen for one of his new schoolmates (Celeste O’Connor).

Meanwhile, Mom begins a somewhat unexpected relationship with one of the children’s teachers (Paul Rudd, seemingly everywhere at once), adds an adult component that makes for some laughs but frankly sits in the passenger seat for much of the movie. (Coon is a talented actress, but there’s a bit of “ET” mother syndrome here, where she can’t see all the weird things that are happening to her.)

Clever, the film (written by Jason Reitman, Dan Aykroyd, and Gil Kenan) builds up a dense mythology that connects this series of spooky ghosts back to the 1980s, while also playfully combining them. drawings reminiscent of “Ghostbusters” from the past. There are also hilariously unrelated jokes, such as the Rudd character getting through summer school just by running inappropriate horror movies.

In some respects, “Afterlife” represents a fairly conspicuous exercise in fan service, following the bizarre outbursts of some in response. Women’s version of the concept was released 5 years ago. While that movie has flaws, the reaction seems to be completely off-putting, elevating “Ghostbusters” to an excessive level of “You ruined my childhood!” honor.
Elder Reitman serves as a producer on the film – with Aykroyd, Bill Murray and Ernie Hudson movie advertisement — not the only link to its Reagan-era roots. Still, it’s one of those movies that doesn’t cross the line like taking a dip into a deep well full of goodwill, hoping to bridge the gap between those who actually saw the original in the theater and children and granddaughters. , who hope to recognize the youthful protagonists.

At its best, “Ghostbusters: Afterlife” simply delivers a good time, combining upgraded special effects with comedy and youthful mood, while taking too long to make get good content.

Breaking down into those components, young Reitman answered so earnestly his call to carry on his family legacy, without eliciting a single spark that would have caused the “Afterlife” to fully emerge. get up.

“Ghostbusters: Afterlife” opens November 19 in US theaters. It is rated PG-13.


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