Luke Evans & Billy Porter in boring gay divorce – The Hollywood Reporter

Is it considered representative progress when a drama about the rifts that destroy same-sex marriage and the ensuing battle for primary custody of the couple’s children is as bland as any other episode? What heterosexual version of that sad story?

by Bill Oliver Our son boasts a stellar lead performance by Luke Evans and Billy Porter as fathers whose shared life has hit a snag, plus a capable supporting cast alongside talented stage actors. . The film is elegant, measured, and sensitively handled at every step. But unless you factor in one of the men who find sexual distraction after a breakup wrapped around a sly club kid named Solo (Isaac Powell), there’s too little here to distinguish. drama with countless other broken family dramas that have taken place before.

Our son

Key point

Forgive a mistake.

Location: Tribeca Film Festival (Featured Narration)
Cast: Luke Evans, Billy Porter, Christopher Woodley, Andrew Rannells, Robin Weigert, Kate Burton, Phylicia Rashad, Isaac Powell, Michael Countryman
Manager: Bill Oliver
Writer: Peter Nickowitz, Bill Oliver

1 hour 44 minutes

Even less to put it on par with highlights like Kramer vs Kramer, Squid and whale or Marriage Story. There is no psychologically deeper script and more unpredictable story progression, Our son shows that gay couples’ problems may not be as interesting as any other couples’ problems. Welcome to the post-marital equality joke!

Housewife father Gabriel (Porter) and successful publisher Nicky (Evans) have been married for 13 years, the last of which they spend raising their son Owen (Christopher Woodley). Nicky reprimands Gabriel for overindulging Owen and Gabriel criticizes Nicky for getting caught up in his work and not fully invested in his life. When Gabriel revealed that he was having an extramarital affair, Nicky had a hard time taking the news, and while the affair quickly ended, Gabriel was unhappy with the marriage.

Nicky promises to be a better husband and father, but Gabriel meets a divorce attorney and begins legal proceedings, so he is forced to hire his own lawyer, played by Robin Weigert with warmth and compassion. Hostilities escalate and knives appear, or at least as close to knives as Peter Nickowitz and director Oliver’s pedestrian script would allow.

The conflict in the film over who should be the primary parents stems in part from Nicky’s rage at her husband for bailing out a marriage he believes is worth saving. Gabriel solemnly asserts that he is a better parent, and that his love and care will bring a family to Owen, while Nicky, the boy’s biological father, counters that he busy earning money to give them a home. Or as their friend Matthew (Andrew Rannells) put it, “When Owen was born, Gabe fell in love with him and you fell in love by the side of the road.”

One of the weak points of the script is that we never really learn much about either spouse, meaning they are defined almost entirely by their marriage and by their moods of sadness or anger arises from its breakdown.

Nicky just signed with a major author, which is going to be a huge financial boost, but that’s all for him. Gabriel, undoubtedly a devoted parent, gave up acting to practice yoga, go shopping, and attend PTA meetings. But as Nicky put it in the ironic way the movie could have used more, giving up his acting career would require a career to begin with. Owen also doesn’t have much dramatic space other than the occasional shot of the boy expressing his unhappiness and confusion at the trouble between Dad and Dad.

Too much information is written in cliché and obvious. Does anyone still buy children’s movies that ask parents to tell their birth story again, purely for the benefit of the audience? And just because Nicky’s discussion of parenting and fathers with the couple’s gay group of friends takes place because of mimosas doesn’t make it any less dogmatic. The social context of negatives like divorce and custody disputes that are part of marital equality territory is intertwined with the story, but without new illumination.

The monotony of Gabriel and Nicky’s back-and-forth relationship, both on and off the court, is quickly relieved by scenes with their respective families. Nicky gets solidarity from his sister Alex (Emily Donahoe), joking that their church followers (Kate Burton and Michael Countryman) have suffered from the disappointment of a gay son and daughter. The girl was divorced and now has to suffer a new blow from a divorced gay boy. And Gabriel receives wise warnings during the visit of his mother (Phylicia Rashad).

The film builds on some deep emotions when it focuses on Nicky, first in an adorable prelude with Owen at Coney Island and then on his own, as he comes to a heartbreaking and final decision. make peace with it. Of the two less prominent leads, Evans moves quietly in the closing scenes. But Our son – punctuated by the somber music of the occasional Joachim Trier composer Ola Fløttum – too one note to have much emotional impact, its characters are too carefully balanced and unobtrusive to be interesting. Mostly, it’s like an elegant, well-meaning but dull old-fashioned drama.

full credit

Venue: Tribeca Film Festival (Spotlight Narrative)
Production company: Tigresa, in association with Slate, Federal Films, TPC
Actors: Luke Evans, Billy Porter, Christopher Woodley, Andrew Rannells, Robin Weigert, Kate Burton, Phylicia Rashad, Isaac Powell, Michael Countryman, David Pittu, Cassandra Freeman, Gabby Beans, Liza J. Bennett, Nuala Cleary, Francis Jue, Bryan Stars: Terrell Clark, Alfredo Narciso, Emily Donahoe
Director: Bill Oliver
Screenwriters: Peter Nickowitz, Bill Oliver
Producers: Fernando Loureiro, Eric Binns, Guilherme Coelho, Jennifer 8. Lee, Christopher Lin
Executive Producers: Billy Porter, Bill Oliver, Peter Nickowitz, Monte Lipman, Dana Sano, Nicole Jordan-Webber, John Wollman, Ross Boucher, Saikat Chakrabarti, Katie Leary, Morwin Schmookler, Jorge Ortiz, Jay Burnley, Carissa Knol, Jonathan Gardner, Actor: Ali JazayeriDavid GendronLiz DestroRobert Rippberger
Director of Photography: Luca Fantini
Production Designer: Sophia Uehara
Costume designer: Aubrey Laufer
Music: Ola Fløttum
Editors: Zach Clark, Tyler Jensen
Actor: Scotty Anderson

1 hour 44 minutes

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