Entertainment

MSG Sphere Plans Unwrapped as Studio Explores Hollywood Work – The Hollywood Reporter

Delegates convering on Las Vegas this week for the first NAB Show since 2019 will notice a new addition emerging in the popular skyline – the MSG Sphere at the Venetian, which could open a new scene for filmmakers and all kinds of immersive entertainment when it opens next year. During a session on the opening day of NAB, a team from MSG Sphere Studios – the joint venture’s production arm – confirmed that they were speaking to everyone from Hollywood directors to musicians, while also revealing New details on creative content planning.

When completed, the colossal sphere is expected to be the largest spherical structure in the world (336 feet high and 516 feet wide) and serve as a brand new entertainment venue that can accommodate up to 20,000 audience. (Construction cost is estimated at 1.826 billion dollars, according to Las Vegas Review Magazine).

It is expected to have a record 160,000 square foot LED wrap-around LED display on the inside, while the outside will be covered with a record 580,000 square foot exterior LED screen that can be seen from space, ” Andrew Shulkind, head of capture for MSG Sphere Studios, a Burbank facility that will house the core content of production and post-production work designed for the Sphere. The LED screen can meet 16K x 16K image resolution. Through a partnership with Berlin-based sound company Holoplot, Sphere will also feature a custom spatial sound system and additional plans include wind-to-scent 4D capabilities, as well as like connectivity for all guests.

Panelists declined to share specifics about the creative partners or planned content, but they suggested that content for the “multipurpose” venue could include entertainment programming extensive filming, live events including concerts, games and what they hope will be entirely new types of entertainment. Shulkind confirmed that the narrative is “entirely on the map”.

Senior creative director Nathalie van Sasse van Ysselt said: “We are looking for disruptors. “We have a dynamic development-creation department. We’re running VIP tours in Burbank and testing these creative tools, so we can open up ideas for ads. ”

Chris Dee, the studio’s senior vp for program and production technology, noted that the studio is “focusing on live-action first.” To that end, the team confirmed that they have placed the camera system – a newly developed system that looks like a 3D rig on steroids – in Antartica and have plans to place one on the International Space Station. , through a grant from the Center for the Advancement of Science. in space.

While designed for immersive entertainment, Shulkind was asked if part of the LED sphere could be used to display content in more traditional aspect ratios – such as Hollywood theaters or other venues. Live events including the Super Bowl – and replies: “Can you? It’s correct. We will? Probably.”

On the technical side of the equation, execs talked about the need for innovation in all areas of production, post-production and exhibition – tools and workflow, all while managing large amount of data. “We are building tools and languages,” says Dee. Panelists confirm that they are developing real-time virtual production techniques as part of the equation.

Going forward, there are plans to build a second such Sphere in London and later, in other cities. “We want to expand this globally,” Shulkind said during the session, organized by the Society of Film and Television Engineers.

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