SS Rajamouli’s glorious Indian action scene – The Hollywood Reporter

“Delirious” is the word to describe SS Rajamouli’s Indian action-adventure film that has become a global phenomenon both in theaters and on Netflix since its release this summer.

This Telugu big budget spectacle starring Tollywood superstars NT Rama Rao Jr. and Ram Charan as revolutionaries fighting against the British Raj in 1920, featuring dizzyingly climactic action sequences and epic musicals that sent audiences into a frenzy. Extremely entertaining for every minute of its three-hour run, RRR has become one of India’s highest-grossing films of all time and is currently generating Oscar buzz.


Key point

You won’t get bored even for a nanosecond.

Cast: NT Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt, Shriya Saran, Samuthirakani, Ray Stevenson, Alison Doody, Olivia Morris
director-screenwriter: SS Rajamouli

3 hours 7 minutes

Although the central characters are based on real historical figures, RRR (the title stands for “Rise, Roar, Revolt”) is purely fictional, as one of the most sweeping opening disclaimers ever seen on screen is difficult to emphasize. (We also made sure that all the animals seen in the movie, and there are many, are purely CGI. That’s definitely a good thing for them.)

We’re introduced to the main characters in two brave action sequences before the opening credits, which don’t show up until about 40 minutes into the film. Ramo Rao Jr. plays Bheem, a burly member of the Gond tribe who attempts to trap a wolf only to fight a fierce tiger in hand-to-hand combat, whom he subdues through a combination of cunning and cunning. cunning and super strength. Charan plays Raju, a seemingly superhuman Indian member of the British police who, for the first time seen, rushes into an aggressive mob that appears to be thousands of Indians rioting to disappear. subdued a criminal and somehow managed to fight them all successfully.

When a little girl from his tribe is kidnapped by an evil British governor (Ray Stevenson, heavily based on his cartoon character) who views Indians as “brown trash” and his equally wicked wife (Alison Doody, Indiana Jones and the Last Crusade), Bheem set off for Delhi on a rescue mission. There, he meets Raju in an action film version of “meet cute,” the pair get to know each other through a daring joint rescue of a young boy from a burning river in a potentially competitive scene. competes with anything James Cameron or Steven Spielberg has ever come up with.

Together, the two conspire to advance their revolutionary cause, with Bheem unaware of Raju’s true role in working undercover for the British empire (at least for a while). Many, many plots follow, but they happen at such a fast and furious pace that you won’t particularly care if you don’t keep up with them. There’s a side episode involving Bheem flirting with the governor’s unbiased niece (a charming Oliva Morris), which offers a bit of humor, not anything in the actual movie. is respected.

And, of course, there are musicals, including the instant classic “Naatu Naatu,” in which Raju and Bheem engage in a frenzied sports dance with Brits defying the rhythms of which they’re not. would have made MGM’s Arthur Freed proud. (I watched the movie on Netflix and can only imagine the hysteria this scene must have caused in the cinema.)

Director Rajamouli, who in just seven years has been responsible for three of India’s highest-grossing films of all time, shows his love for popular cinema in every frame. colorful and so much. Whether it’s CGI or the occasional over-the-air string action, or the frequent use of slow-motion contours on parodies. All presented in such a brilliant visual style that your eyes are completely satisfied before your brain can raise any objections.

And the two charismatic leads are so relentlessly physically active in their super muscular performances that they almost explode off the screen. Their characters offer the closest on-screen affection since Butch and Sundance.

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