View/Skip
Best view, ignore the rest. Get expert opinion on the best and worst in movies and TV shows.
There are about 47,000 — oh, wait, a new Netflix Original just came out; generates 47,001—TV shows and movies that come out every week. At Obsessed, we see it as our social mission to help you see what’s best and ignore the rest.
We’ve got plenty of exclusive, in-depth information on all of your streaming favorites and new releases, but sometimes what you’re looking for is simply a Do or Don’t. That’s why we created Watch/Skip, to show you exactly what our writers think you should Watch and what you can Skip amid last week’s crowded entertainment scene.
Dance: Idol
Idol was the most controversial new show of the summer — and possibly of the year —. And while that’s sure to draw viewers in, there’s not much in the first two episodes other than pointless filth, designed to shock and scare with very little underlying content.
Here is Caspar Salmon’s opinion:
“by Sam Levinson Idol—at least on the basis of the first two episodes, which had a bewildering premiere at the Cannes Film Festival — it sucks. But did you know that there was. It’s always a kind of for that Rape Culture: Performances would be a serious what is infringedespecially after firing the director Amy Seimetz (girlfriend experience) And replace her with Levison (The nepotism experience).
If you watch closely, you’ll hear that the reshoots are extremely expensive after Seimetz’s departure, reconfiguring the entire series. That is very much visible on screen, in a story that is painfully garbled about any substance. Instead, we are presented with a series of increasingly dull and meaningless music video-style footage, slow-motion sequences and erotic details, depicting Lily-Rose Depp in various undressed states, as her character Jocelyn struggles with her life and career.
See: Chinese Americans
Chinese Americans is a beautifully exciting ride through three converging storylines, reuniting Duong Tu Quynh, Ke Huy Quan, and Tu Hy Vien in an exciting Disney+ adventure. It has guts, excitement, and an anthropomorphic monkey man, like all shows.
This is by Laura Bradley:
The look of fear on the face of high school student Jin Wang in the new Disney+ action series YA cannot be ignored. Chinese Americans, when a teacher assigns him a new student from China as ‘shadow’. Although the instructor insisted that he and new student Wei-Chen have ‘a lot in common’, Jin couldn’t stop himself from asking, ‘Are we okay?’ Jin wants to fit in to the point of never considering the one thing he and Wei-Chen clearly have in common from the start: even the instructors can’t be bothered to pronounce their names correctly. Instead, Jin immediately rejects his ‘shadow’, whose complete shamelessness seems to confuse and threaten him equally.
Chinese Americanslaunches Wednesday on the streaming service, play with many of the classic touches of the first generation’s coming-of-age story — from laughing at insulting “jokes” to constantly deciding which part of his identity suitable for the same-age white public. In Jin’s mind, his choice seems binary: either edit himself and become famous, or let people know who he is and be shunned. Fortunately, the Disney+ series has found an even stronger force than high school popularity to help Jin see through his fog of compliance: Michelle Yeoh.
Dance: FUBAR
FUBAR discovered Schwarzenegger lubricating those creaking joints for a new action show, only to have its editors cut out his stiff movements, which are almost as tedious as the series itself. Its star is still magnetic, but this is actually F*cked Up Beyond All Repair.
Here’s Nick Schager’s way:
“Arnold Schwarzenegger return True lie good—complete with a tom arnold guest!-with FUBAR (released May 25 on Netflix), plays a famous super spy whose time and energy are split between fighting international terrorists and keeping his work a secret from his family. family.
Which is to say, what’s puzzling is that around this time, he also had a daughter that he learned was working in his field of work! The facility doesn’t get worse than this, nor does it get any slower. As a shooting hero, smoking a cigar, the action movie legend is as charismatic as ever. However, his first foray into television was a sitcom assignment that was easy to turn down.”
See: kardashian family Part 3
kardashian family Season 3 saw America’s first family finally settle into streaming, find some breathing room, and get silly again. Highly produced music videos, jet packs, and gearshift lessons almost end in demise. And that’s just Episode 1!
Here is Coleman Spilde’s opinion:
“Part 3 of the Hulu saga that follows our great American royalty, premieres May 25, usually a extremely rigid watch; Six Ks—Needle, Kourtney, Kris, khloé, kendallAnd Kylie—circling the greater Calabasas region in their matching black lycra bodysuit, skimming the surface of every topic the press shared about their family. not like in Keeping up with the Kardashians, where the family only gradually became a producer and was subject to the budget constraints of parent company NBCUniversal, the Kardashians had full creative control at Hulu. At first, I thought this might mean they would feel safe, allowing themselves to reveal more to the audience in an intimate way. Alas, their walls have never been more fortified.
However, this reluctance really shows in front of the camera—aside from a few tears and the repeated declaration, ‘Everything is just Therefore hard right now’ – can sometimes lead to miracles. The Six Ks have to resort to utter nonsense to entertain us, when their personal fortresses of solitude prevent them from actually serving that purpose. And that’s exactly how they managed to make me laugh: by casually including a fully-produced music video for Beyoncé’s ‘Cuff It’ in their Season 3 prologue.
