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They Finally Admit Everyone Hates Their Show

kardashian family knowing full well that their latest reality show was a flop. (Well, for now, at least until kim kardashian start dating brave cat public.)

Although giving Hulu with most viewed premiere in streamer history in 2021, kardashian family, currently in its third season, barely received with the same enthusiasm, memes, and especially outrage as E! overwhelming power, Hold With The Kardashians—or any of its myriad byproducts, for that matter. And Fans have spoken out about their boredom watching family entertainment history munching on salads and brooding over their odd-looking mansions.

After that kardashian family‘ season two — it’s a complete idiot, save for an odd episode featuring Martha Stewart and a peacock—Kim Kardashian asked Twitter what kind of content should her family put in Season 3, with the same desperation as a car salesman. (“Do you guys like family content? Work content? Kids content? BTS of scenes? Family jokes?”) Now, in the latest episode, Kim and some of the cast members Her family is dealing directly with viewer complaints in one of reality TV’s weirdest, meta moments, which offers the iconic sight of a step-brother (sort of. ) Their Brody Jenner in the series finale The hills run for his money.

About 10 minutes into this week’s episode, strongly titled “No need, no need, I’m done,” Kim sat down with her sister Khloé Kardashian and Scott Disick, Kourney Kardashian’s ex, to lament a Diversity review criticized Season 2 for being essentially “no plot”.

Notoriously, that season started with a particularly dull, focusing on Khloé as revealed that she ex-partner Tristan Thompson secretly had a baby with another woman, while he and Khloé were preparing for the birth of their second child through surrogacy. The season ends with the birth of a baby. But Khloé refrains from discussing her family situation for the rest of Season 2. It’s pretty stupid that she and her loved ones think they can prolong that silence.

“There is an article [published during] in Season 2 of our show that Khloé didn’t say enough about her Tristan situation,” Kim said in a confessional this week. “First, we filmed everything. We shared everything.”

Khloé told Kim and Scott: “With surrogacy, I was very vulnerable. “I got people involved in what I was fighting for.”

That is debatable. That’s right, Khloé and the rest of the family dealt with the situation, albeit in a minimal, imperative way. Based on the bleak shower her family threw at her, viewers can tell that going through a new-found experience using a surrogate, while another Thomspon cheating scandal exposed to the world, was difficult for the third eldest sister. But no one watches reality TV to read between the lines. What is hardly considered subtext should be text.

While the review acknowledges Khloé’s privacy — especially about something as precious as bringing a child into the world —Diversity correctly pointed out the irony of withholding such an important storyline in a show designed to delve deeper into their lives. Admittedly, if the family is willing to explore anything else – like Kylie’s relationship with her now it’s Travis Scott after the Astroworld tragedy, Kim’s noisy divorce from Kanye Westor Her relationship with Pete Davidson—this omission will not be felt EQUAL glowered.

Talking about Davidson, Kim also defended the fact that her ex-boyfriend rarely appeared during the past season.

“The fans said, ‘Pete wasn’t on the show,'” Kim said in the episode. “’I’m like we said it at the beginning. That’s not what he does.

When Khloé added that it was “weird” to put someone you’ve just dated on television, Kim said, “After that, I opened up. Then I had him on the show. I talked about everything in the end.

“Okay,” Disick interjected. “What more do you want—to see us in bed together?”

kardashian family never really followed the fourth wall rule. By 2023, most reality shows, often backed by online dramas, violate the separation between audience and what’s happening on screen. In case kardashian family, family members would explicitly refer to “the show,” while filming it. In an early episode of Season 1, Kourtney laments how her new, “happy” life with current husband Travis Barker is being portrayed, as her ex, Disick, tries to stay engaged. join the program. The women also chatted openly with a producer, who asked them questions during their confession — another joke that is becoming more common on unscripted television.

Maybe the producers thought that removing the barrier between the show and its audience would add a new flair to an otherwise purely documentary series. In the case of this week’s episode, it feels surreal to watch media moguls factor in their dwindling entertainment value in a Bravo-fied, Love is blind-Riding scenery. Other times, however, their blatant gestures in front of the camera barely have any effect.

It’s not always like that. In the later period of Keeping up with the Kardashiansfamilies were able to use the program as a PR tool for their regularly scheduled arguments, like Kendall Jenner’s Infamous Pepsi Ads And Kim’s unlucky accusations. At least then, viewers know they have a plot to look forward to, and the Kardashians are almost always willing to tackle things frankly. Even if you don’t buy their tearful apologies and naivety about things like systemic racism, at least you have compelling footage to react to.

We now have a series of scenes with Kim lamenting how difficult her life has become, as her ex-husband continues to entangle her in the press. (She won’t denigrate the West on camera, of course.) In the first two episodes of this season, Khloe still seems uncomfortable discussing the birth of her child. second, this is more interesting to speculate than to actually observe. Between the more serious scenes, we have the most boringly choreographed segments where Kendall teaches Kylie how to drive a stick for no apparent reason.

Whatever the family hopes to achieve by addressing their critics directly — other than being able to make their die-hard fans fall in love with a journalist — that doesn’t take the place of a good show. attractive TV show.

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